FirstWood,ThenSound

There is a version of a musician's life that begins beneath stage lights, with a name already printed on a poster. Susanna Roncallo's story begins earlier and closer to the ground: with a guitar, the streets of Genoa, and the discovery that music could travel without asking permission.

Beginning in Genoa

She began playing at eleven under the guidance of guitarist Fabio Veneziani. Before theatres and festivals, the old centre of Genoa became her first public room — its narrow streets, stone walls, sudden openings and passing strangers gave her an education no conservatory could quite reproduce.

It was there that her identity as a busker took shape. A period description from BalconyTV called her a notable local fingerstyle talent, emphasizing that her solo street performances were where her particular magic could be most clearly heard.

Narrow historic street in Genoa

The Unfolding Practice

1
2013 — Solo Practice Begins
Susanna establishes her solo acoustic guitar project, centered on original composition and fingerstyle writing.
2
2018 — TriOblique
A balfolk trio with Aurélien Congrega and Dario Gisotti, combining acoustic guitar, Irish bouzouki, uilleann pipes and voices; the group released Danse Avec Les Renards in 2022.
3
2022 — DuOblique
A duo with Aurélien Congrega built around voices, bouzouki, guitar, and traditional French dance forms, also offering workshops.
4
2025 — Raìs
A "concerto poetico solare" with Livia Taruffi and Rémi Boniface, joining guitar and voice with violin, accordion and hurdy-gurdy.

Teaching and Mentorship

Teaching runs alongside her performing life. The City of Genoa's 2025 profile reports that Roncallo combines her artistic career with sustained music teaching, collaborating with schools and associations across Liguria.

There is a quiet coherence here: the child who began at eleven, the busker who learned from passing strangers, and the teacher helping another person find a relationship with an instrument belong to the same continuum.

Susanna Roncallo guiding a student on acoustic guitar

An Artistic Identity

The guitar, for Susanna, is wood and then sound. Solitude, then encounter.

Her official and third-party descriptions converge on a coherent artistic identity: acoustic guitar as material object and storytelling instrument, careful attention to silence, intimacy over display, and a strong sensory relationship to landscape, weather, movement, and human encounter.

Hands on acoustic guitar strings
Silence and Listening
Restraint before sound; attention as a form of respect.
Wood, Strings, Resonance
The guitar treated as a living material carrying memory.
Landscape and Weather
Rain, thaw, rivers, foxes, and mist recur across her titles.
Walking and Movement
A pace trusted like walking — slow, constant, alive.

Continue the Story

This practice keeps unfolding — in solo compositions, in ensemble recordings, and on stages across Liguria and beyond.